Breach 3 has officially changed its name to Viricide.  Check out the nearly finished demo in the tabs near the top of the page.  It’s got a ton of voice acting, so the file size is a relatively hefty (but hopefully still manageable) 5 mb.  I’ve seen much worse for Flash games and movies.  It’s also got two songs and a bunch of sound effects.  For those of you with headphones (or just widely spaced speakers), all of the audio is panned from left to right to give you a little more spacial awareness.  Woop woop!

It’s still missing some little things like a mute button and cookies to save your progress.  Other than that, it’s mostly just tweaking from here on out.

Let me know what you think of the game–I’ll be releasing it pretty soon!

Give the Breach 3 demo another try.  It’s got some new goodies, including a more standard level progression (no more of that slider business) and some personality.  The game is now set inside of an AI, where you are tasked with removing viruses that are corrupting her systems.  She talks to you between levels.  It gives me lots of room to write, which is always fun as hell for me, and the game can get some humor and mood chucked in there for good measure.  Bonus points:  This is the same type of AI as the one featured in You Find Yourself In A Room, and the much more belligerent AI from that one can make appearances here.  The two games tie in with each other in at least a relatively interesting way.

Oh, also, make sure you try out the Zero Writes.  They’re bombs that kill everything on the screen.  I’m really satisfied with how they feel at the moment, and I can’t wait to get sound worked in so that these guys can make some noise.

I’ve gotten some questions lately about the gun in Grief.  The general consensus is that Company was a quiet, thoughtful game, so why is the sequel going to be a mindless shooter oh god it’s going to be horrible why oh why is it a shooter?

To sum things up, Grief isn’t a shooter.  Grief is a puzzle game.  There are no enemies to shoot.  The gun ends up being purely a tool that you use in solving puzzles.

Aside from the game mechanics involved, having it be a gun is pretty important to the mood of the game.  The second chapter in Grief is Anger, and this is when Henry gets his pistol.  He’s frustrated with everyone and wants to feel powerful–A pistol sums that up in one concise package.  The real trick is going to be making sure that getting a gun feels like an important event, like it would be in real life.  Having a gun in a video game is often par for the course, so there’s no real impact when you get one.  In Grief, we’re going to have to set this up thoughtfully enough to make it feel genuine.

Substantial, empowering, and most importantly, somewhat dangerous.

As a side note, I’m back to work on You Find Yourself In A Room.  It’s not going to be entered in the JayIsGames contest, because A) it would be disqualified anyway, and B) I already missed the deadline.  The demo for that one is updated with some actual content.  There are just three simple levels at this point.  Hopefully it’s somewhat clear how the game’s flow is going to work–It starts out pretty straightforward, and slowly gets sick of you.  Then it starts to resent you.  Then it starts to hate you.

It’s fun as hell to write, by the way.

I feel a little strange bringing this up, but whatever.  It made me chuckle a bit.

Here’s a game for you to try out.  It’s a moody little puzzle game about a lonely protagonist who can make copies of himself (by pressing the space bar).  He can stand on his copies, and his copies can stand on him.  He talks to himself throughout the game, which is shown as text overlays that appear over the level art.  The music featured is an original song, focusing on lonely sounding piano work, with some synth thrown in for good measure.  When he is limited in the number of copies he can make, the number left is shown as a number in the top left corner.  His chief personal motivation ends up being a girl.  The goal for each stage is to get to the square shaped exit.  Sometimes there are platforms that only copies can pass through, and sometimes there are platforms that only the original character can pass through.  The ground is a dull brown with grass on top.  Each level is exactly the size of the screen, so there is no scrolling.

Now, here’s the kicker.  I’m not talking about The Company of Myself.  I’m talking about Little Thing.

Play Little Thing

Anyone else feeling a little deja vu?

I figure I’ve held off long enough, and since no one really knows about me anyway, there’s not a whole lot of point in keeping secrets.  Here’s how Grief works.

Grief is about the psychologist from the end of Company.  His name is Henry.  Near the beginning of the game, he finds out that he is dying of a newly discovered illness.  The rest of the game is split up into chapters that are based on the five stages of grief.  These are Denial, Anger, Bargaining, Depression, and Acceptance.  The player unlocks abilities that coincide with the current stage.

There are four characters in Grief.  Henry is the lead.  His daughter, Liz, is the most directly affected by Henry’s illness, though she doesn’t understand it, since Henry doesn’t want to admit to her that he is dying.  Dr. Parson shows up periodically to study Henry’s illness, though it’s clear that he has no intention of finding a cure.  He is only interested in making a name for himself.  Finally, the grim reaper shows up periodically to help Henry understand and manage his fate.  The grim reaper is interpreted differently than the average “black cloak and sickle” that we’re all accustomed to.  In Grief, Grim looks like an average person (In fact, in this case, he looks like Henry).  He’s generally laid back and calm; possibly indifferent.  He’s not trying to show off and terrify people.  Intimidating because of his position, maybe, but not because of his demeanor.

If you take a look at the current version (the tab near the top of the page, under the title), you can test out the first version of the gun that Henry acquires at the beginning of Anger.  For those who are interested, the bullets are physically simulated–They have mass and all that.  In certain cases, it’s possible to bounce one off of something and hit something else.

I’ve also been looking around for voice actors and a character artist.  I’ll let everyone know once I’ve got a team on lock down.

Since I still don’t have a title for it yet, I’m going to be referring to the new game as Grief for the time being.  I wish that Grief would work as a final title, because it does have a bit of zing to it, but it’s completely un-Google-friendly.  Way too common of a word for a Flash game that relies so heavily on the viral nature of the internet.

So, Grief.  The story is coming along very nicely–I’ve got some good ideas cooking.  It’ll turn out good.  I still approve of Company’s ending, but it’s a little too out of left field for me to be completely satisfied.  A really good twist ending should come from somewhere that makes sense, while still being surprising.  I don’t know whether or not Grief will have a twist ending.  It’s possible.  We’ll have to wait and see.

I did some more work on the engine and editor.  They’re both coming along gorgeously.  The editor is going to be capable of some pretty cool shit by the time it’s done.  The engine has some basic postprocessing stuff worked in now, too–This is possible because I’m using my own bitmap renderer instead of using Flash’s standard stuff.  At this point there are two effects.  The first is a desaturation filter, which just takes out all the color in the image.  The second is gloom, which is like the opposite of bloom.  Bloom makes bright light sort of spill out into shapes around it.  Gloom does the same thing with dark areas.  Much more fitting to the tone of the game.

More editor work for now, and we’re getting ready to start working with the game’s visual style.  Should be an interesting process, for sure.